German-born Felix Burrichter, a 37-year-old writer, journalist and curator is one of contemporary publishing’s most thrilling figures. Indeed, his latest creation named PIN-UP, a biannual “magazine for architectural entertainment”, is a great way to explore all creative disciplines (ranging from architecture and fashion, to art and politics) with a sharp dose of intelligence and wit; in other words, it is a revolutionary platform where ideas and creative processes – more than mere finished products – are definitely stealing the stage.

Burrichter also wrote This will be the place, recently launched on the occasion of Cassina’s 90th anniversary within the Milano Design Week 2017: a pioneering monograph analysing concepts of ever-evolving taste and “contemporary living” through the creation of five unique, ideal interiors around the world.

Within a few months of the Milano Design Week in April 2017, the hysterical bonanza of photographs and mental notes snatched during such hectic time of year has now been sorted and reconsidered: so what better time to choose the magazine cover?

1. First thought that comes to mind if you hear the words, “Milano Design Week 2017”.

Chairs.

2. The most exciting project you spotted this year.

Max Lamb’s installation for Really (by Kvadrat): an ensemble of 12 benches (plus many other objects) entirely built in waste cotton and wool. I also enjoyed the dining table with copper-plated brass base featured in the GOD collection by Atelier Biagetti . And again, all latest light pieces by Michael Anastassiades (and much more).

3. Your all-time fave installation.

Cassina 9.0 at Fondazione Feltrinelli, which provides an insightful overview on the potential domestic habitats of tomorrow. I shall include the mini pop-up exhibition curated by Matylda Krzykowski in partnership with Camera Gallery, held inside Lucio Fontana’s ancient apartment nearby Piazzale Loreto.

4. The most thrilling person you met.

PJ Natuzzi, and Karl Kolbitz, the photographer/author of the book Ingressi di Milano (Taschen), the most gorgeous paper ode to Milan that I have ever leafed through.

5. Your biggest disappointment.

I hate not having the chance to get the full experience: I mean, this year I had to miss the SaloneSatellite, as well as many other events. I also depreciate the impressive amount of waste which is carelessly produced every year, with the majority of exhibition stands and architectures being disposed after barely a week. This is one of my biggest worry, really.

6. Any wishes for next year?

Surprises. Loads of surprises.

7. Describe your work in one sentence.

Architectural entertainment.